ANN: New Publication by Julia Tulovsky: Avant-Garde Textiles: Designs for Fabric
Book talk: Thursday, October 27, 2016, 6:00pm
Marshall D. Shulman Seminar Room (1219 International Affairs Building)
Columbia University, Harriman Institute, NYC
In the mid-1920s, several great avant-garde artists in different artistic centers simultaneously began explorations in fabric design. Their designs, united by striking visual similarities, put forward a new artistic language that, in principle, anticipated future experiments in modernism, in particular op art and minimalism. Avant-Garde Textiles: Designs for Fabric provides an overview of these designs and argues that the reasons for their similarities lay in common influences from visual sources and theoretical writings of the time.
Tulovsky draws special attention to work by two Russian constructivist artists in Moscow, Liubov Popova and Varvara Stepanova, and that of Sonia Delaunay in Paris. The book analyses common features that link the artistic projects of the Russian constructivists and Delaunay, and explores how the new geometric patterns, very similar in style, were adapted to the drastically different social and economical conditions of Bolshevik Moscow and luxurious Paris of the Art Deco epoch. By the end of the 1920s, the new geometric style in textiles had grown into an international movement. The penetration of these fabrics directly into everyday life influenced people’s tastes, and prepared a firm ground for future developments in modernism.
Julia Tulovsky is the Curator for Russian and Soviet Nonconformist Art at the Zimmerli Art Museum at Rutgers University, New Brunswick, New Jersey. She is a specialist in Russian art and holds her PhD from Moscow State University. Before coming to the Zimmerli she worked at the State Tretyakov Gallery in Moscow, and since 2001 has served as executive director of the Malevich Society in New York. She has published broadly on Russian avant-garde and contemporary art, both in Russian and in English. She is co-editor of a special Russian-American issue of the Pinakotheke journal (Vol. 21-22, no 1-2, 2006), editor of Claude and Nina Gruen Collection of Contemporary Russian Art (Zimmerli Art Museum, 2008), a contributor to Moscow Conceptualism in Context (Prestel, 2011) and Sokov (Kerber, 2012), and editor of Oleg Vassiliev: Space and Light (Zimmerli Art Museum, 2014).
Public Talk: The Graphic Life of Letters in Russian Avant-Garde Book Design
with Jared Ash
Monday, March 28, 2016
6:30PM – 8:30PM
Location: Type@Cooper, Rose Auditorium, 41 Cooper Square, New York, NY
From 1910 through the 1930s, “the book” played a consistently fertile medium for innovation and experimentation among artists of the Russian avant-garde. While constructivist theories and works by El Lissitzky, Alexander Rodchenko, and Il’ia Zdanevich (Iliazd) are generally familiar to type historians, students, and designers, less well known are the neo-primitivist and cubo-futurist publications of the early 1910s that influenced them. Though the text of these earlier editions is written primarily in manuscript and reproduced through lithography, this talk will highlight specific practices and design elements in them that not only appear later in constructivist typography, but epitomize it. In addition to the afore-listed artist-designers, we also will look at Aleksei Kruchenykh, Vasily Kamensky, Pavel Filonov, Natalia Goncharova, Mikhail Larionov, and Olga Rozanova, all of whom strove to re-endow the printed word with the same vibrancy and vitality found in ancient texts, sacred manuscripts, painted signboards, and other forms of visually expressive text.
The event is free, but booking is essential: http://coopertype.org/event/the_graphic_life_of_letters_in_russian_avant_garde_book_design
Lecturer: Jared Ash
The Graphic Life of Letters in Russian Avant-Garde Book Design Jared Ash is Special Collections Librarian at the Thomas J. Watson Library, The Metropolitan Museum of Art, where his primary responsibilities are developing and cataloging Watson’s collections of Russian, Slavic, and rare materials.
From 2006 to 2012, Jared was Curator and Librarian of Special Collections at the Newark Public Library (Newark, NJ), where he curated a number of exhibitions drawn from Newark’s rich collections of artists’ books, illustrated books, fine prints, photographs, and fine printing.
As Curator of the Judith Rothschild Foundation from 1997 to 2002, Jared developed and cataloged a collection of more than 1,200 Russian avant-garde books, periodicals, and works on paper that was donated to the Museum of Modern Art in 2001; he collaborated with MoMA’s Department of Prints and Illustrated Books on the 2002 exhibition, The Russian Avant-Garde Book 1910-1934, and contributed an essay, chapter introductions and more to the accompanying catalog. In addition to the MoMA catalog, Jared also has contributed essays on the Russian avant-garde and book design to publications for the Art Institute of Chicago and the library of the Van Abbemuseum, The Education of a Typographer (edited by Steven Heller), and the journals, Central Booking and Art Documentation.
Jared holds degrees in Russian Studies from Brown University and New York University, and a Master’s in Library and Information Science from Rutgers University.