Hot Art in a Cold War: Intersections of Art and Science in the Soviet Era
January 27, 2018 - May 20, 2018
Opening on January 27, 2018, the Bruce Museum’s provocative new exhibition Hot Art in a Cold War: Intersections of Art and Science in the Soviet Era examines one of the dominant concerns of Soviet unofficial artists—and citizens everywhere—during the Cold War: the consequences of innovation in science, technology, mathematics, communications, and design. Juxtaposing art made in opposition to state-sanctioned Socialist Realism with artifacts from the Soviet nuclear and space programs, Hot Art in a Cold War touches upon the triumphs and tragedies unleashed as humankind gained the power to both leave the Earth and to destroy it.
Produced from the 1960s to the 1980s, the works on view address themes of international significance during a turbulent period marked by the ever-escalating competition for nuclear supremacy and the space race. Creative interpretations of these key historical events and their repercussions are presented here through nearly 40 works by 17 artists from the former Soviet republics of Estonia, Latvia, Ukraine, and Russia.
Funding opportunity: Dodge Assistantships at the Zimmerli Art Museum for Graduate Study in the Department of Art History, Rutgers University, New Brunswick NJ
Deadline: January 10, 2017
The Zimmerli Art Museum at Rutgers University offers Dodge Graduate Assistantships to doctoral candidates admitted to the Department of Art History who are committed to research on unofficial art of the former Soviet Union. Established in 2002 with a generous endowment from the Avenir Foundation in honor of Norton T. and Nancy Dodge, this assistantship program provides full tuition, fees, and health benefits, as well as an annual stipend for living expenses, to graduate students (known as Dodge Fellows). Travel funds for research and language study abroad, as well as for participation in conferences, are also available to Dodge Fellows by formal application.
Dodge Fellows who enter Rutgers without a master’s degree are eligible for five years of assistantship funding. During the course of the first three years, students are obliged to work 15 hours a week in the Zimmerli’s Russian and Soviet curatorial offices; the subsequent two years support dissertation research and writing without any work obligation. Those who enter with a master’s degree are awarded four years of funding, reflecting a shortened period of coursework required for the doctoral degree. Work at the Zimmerli Art Museum is supervised by Dr. Jane A. Sharp, Associate Professor of Art History and Research Curator for the Dodge Collection, and Dr Julia Tulovsky, Curator for Russian and Soviet Nonconformist Art, with the assistance of other museum staff. The fellows perform a variety of tasks such as curatorial assistance in exhibition and catalogue production as well as administration and collection management. During the third year Dodge Fellows are given the opportunity to curate their own exhibition from the Zimmerli’s Norton and Nancy Dodge Collection.
Please refer to this link for more information: http://arthistory.rutgers.edu
Application and Selection Process: Dodge Assistantships are awarded by the Department of Art History in consultation with the Zimmerli’s Director and staff to incoming graduate students.
For information about the Dodge Assistantships, contact Professor Jane Sharp
Deadline to apply is January 10, 2017
Exhibition: Dreamworlds and Catastrophes: Intersections of Art and Science in the Dodge Collection
Ksenia Nouril, SHERA’s own Secretary and Treasurer, has organised an exhibition of Soviet nonconformist art from the collection of Norton and Nancy Dodge at the Zimmerli Art Museum at Rutgers University in New Brunswick, entitled “Dreamworlds and Catastrophes: Intersections of Art and Science in the Dodge Collection,” which opens to the public this Saturday, March 12, 2016.
The exhibition examines the consequences of innovations in science, technology, mathematics, communications, and design on unofficial Soviet art. Produced between the 1960s and 1980s, the works on view address themes of international significance from a turbulent period marked by the building of the Berlin Wall, the Cuban Missile Crisis, and a failed attempt at improved United States-Soviet relations. Dreamworlds and Catastrophes features over 50 works by artists from the former Soviet republics of Estonia, Latvia, Russia, and Ukraine. It will be on view until July 31, 2016.
On Thursday, April 14, a public program and reception will take place, starting with a walk-through at 4pm. This will be followed by two invited guest lectures on American and Soviet Cold War art and politics by John J. Curley, Ph.D. of Wake Forest University and David Foglesong, Ph.D. of Rutgers.
Information about driving directions, parking, and public transportation (50 minutes from NY Penn Station) can be found here: http://www.zimmerlimuseum.rutgers.edu/about/visit-us.