Articles and book chapters
Through Winter’s Window: The Modernist Potential of Ice, Frost, and Snow in Late Imperial Russian Art
2025
Richard Hare’s Russian Icon Collection and the Persistent Lure of Byzantium in Anglo-Soviet Artistic Relations
2025
The New York Public Library for the Performing Arts: A Chronological Checklist of Slavic and East European Exhibitions
2025
Performance on the Margins: Collaborative Art Practices in the Late Soviet Underground
2025
"Down with the Skyscrapers of Historical Backwardness,” or the Paradoxes of the Disurbanist Revolution
2025
Unsettled Modernization: Soviet Historiography on the Mongolian Ger, 1935-1980
2024
Galka Scheyer: Unorthodoxe Lebens- und Wirkungsformen zwischen Tradition und Moderne
2024
Together in the Courtyard: Paulina Olowska’s Naughty Nymphs in the Courtyard of the Favorites at the Art Institute of Chicago
2024
Performing Universality: Building Norms and the Circulation of Theatre Architecture in the RSFSR
2024
A New Beginning: The Dresden Artists’ Group Der Ruf (The Call) 1945–1948
2024
From Universal Visual World Language to Global Cross-cultural Dialogue
2024
Without Borders: The Dynamics of the Blue Rider Artists’ Networks
2024
Women in Architecture: Contested Legacies
2024
A Post-Soviet Experiment: Coining ‘Moscow Actionism
2024
New World Remakes, Cold-War Politics, and the Legacy of the Bauhaus
2023
Representing Kantor: ‘Monsieur On Sait Qui’ (1982) at Échange Entre Artistes 1931–1982, Pologne–USA
2023
Locating the Material: Prussian Carved Ambers, Place Ambiguity, and a New Geography of Central European Art
2023
Hidden Histories and Historical "Truth": Konstantin Flavitsky’s Princess Tarakanova of 1864 and How Art Helped Change the Understanding of Russian History
2023
The Faceted Chamber and the Meanings of Its Restoration in the Nineteenth Century
2023
Redesigning cultural identity in Euro-Arctic Russia
2023
