2019 Shelter Festival (June 7-9, Helsinki, Finland) - Open Call for proposals!
Are you an artist, activist, educator, musician in the Helsinki area or beyond (Scandinavia, Eastern Europe, Baltic Countries, Russia, etc.)? The Suoja/Shelter festival invites participants to propose projects the 2019 Shelter Festival: Cosmopolitics, Comradeship, and the Commons, a three-day convening for all those working at the intersection of deep ecology, climate resilience, environmental philosophy, ecofeminism, and socially engaged practice.
Proposals could take the form of media art, site-specific installations, performance art, and education, and should reflect on the themes of the 2019 Suoja/Shelter Festival. We encourage proposals that engage creatively and intersectionally with climate migration, gentrification, and tightening borders; forms of queer ecological activism and coalitions that oppose heteronormative agendas and address displacement, violence, food injustice, among others; mapping the ecology of education, from the point of view of recent theories and practices that propose the decolonization of knowledge, as well as that of land, air, and water.
If you are interested in planning to bring into focus these pressing issues within your artistic practice and communities, please submit a proposal for review by April 15, 2019 (23:59 CET).
With the support of the Finnish Cultural Foundation and the Arts Promotion Centre Finland selected artists will receive an honorarium, production budget, and one-night accommodation in Helsinki.
To learn more: http://suojashelter.tilda.ws/artists_call_2019
Comradeship: Curating, Art, and Politics in Post-Socialist Europe
Edited by J. Myers-Szupinska
Foreword by Kate Fowle
Published by ICI, 2019
Comradeship is a collection of essays by Zdenka Badovinac, the forward-thinking Slovenian curator, museum director, and scholar. Badovinac has been an influential voice in international conversations rethinking the geopolitics of art after the fall of communism, a ferocious critic of unequal negotiations between East and West, and a historian of the avant-garde art that emerged in socialist and post-socialist countries in the last century. She has been, moreover, an advocate for radical institutional forms: museums responsive to the complexities of the past and commensurate to the demands of the present.
Gathering writings from disparate and hard-to-find sources alongside new texts, this book offers an essential portrait of a major thinker and a crucial handbook of alternative approaches to curating and institution-building in the 21st century.
“Whip-smart, politically astute, curatorially inventive: Zdenka Badovinac is nothing less than the most progressive and intellectually rigorous female museum director in Europe. This anthology includes key essays accompanying her series of brilliant exhibitions in Ljubljana and is essential reading for anyone interested in the differences between former east and former west. For anyone seeking curatorial alternatives to the neoliberal museum model of relentless expansion and dumbed- down blockbusters, Badovinac is a galvanizing inspiration.”
—Claire Bishop, art historian, and critic
About Zdenka Badovinac
Zdenka Badovinac is a curator and writer, who has served since 1993 as Director of the Moderna galerija in Ljubljana, comprised since 2011 of two locations: the Museum of Modern Art and the Museum of Contemporary Art Metelkova. In her work, Badovinac highlights the difficult processes of redefining history alongside different avant-garde traditions within contemporary art. Badovinac’s first exhibition to address these issues was Body and the East—From the 1960s to the Present (1998). She also initiated the first Eastern European art collection, Arteast 2000+. One her most important recent projects is NSK from Kapital to Capital: Neue Slowenische Kunst – The Event of the Final Decade of Yugoslavia, Moderna galerija, 2015 (Traveled to Van Abbe Museum, Eindhoven, (2016), Garage Museum of Contemporary Art, Moscow (2016) and the Museo Reina Sofía Madrid (2017)); NSK State Pavilion, 57th Venice Biennale, 2017, co-curated with Charles Esche; The Heritage of 1989. Case Study: The Second Yugoslav Documents Exhibition, Modena galerija, Ljubljana, 2017, co-curated with Bojana Piškur; Sites of Sustainability Pavilions, Manifestos, and Crypts, Hello World. Revising a Collection, Hamburger Bahnhof – Museum für Gegenwart – Berlin; Heavenly Beings: Neither Human nor Animal, Museum of Contemporary Art Metelkova, Ljubljana, co-curated with Bojan Piškur, 2018; Badovinac was Slovenian Commissioner at the Venice Biennale from 1993 to 1997, 2005 and 2017, and Austrian Commissioner at the Sao Paulo Biennial in 2002 and the President of CIMAM, 2010–13.
Academic Studies Press is looking for manuscript proposals in Russian studies for our series “Cultural Revolutions: Russia in the Twentieth and the Twenty-First Centuries.” This series, edited by Boris Wolfson from Amherst College, is active from 2009 and steadily produces at least one book a year, presenting lively scholarly dialogue about events, figures, ideas, and cultural artifacts that have defined modern Russian culture. We welcome monographs, thematic collections, anthologies, as well as scholarly guides to authors/thinkers, periods, historical events, and texts that examine the literary, visual and material culture of the “long” twentieth century-from one fin-de-siècle (1890s) to the other (2000s). This series is designed to gather some of the most far-reaching studies in literature, history, visual art, film, theater, and anthropology, to frame key questions that will animate scholarship of twentieth-century Russia for decades to come.
All submitted manuscripts will go through double blind peer review. In-house copyediting, indexing, proofreading and cover art are provided. The process of production, from first submission to book release, will take approximately nine to twelve months. To reach all interested readers, Academic Studies Press will also invest in a marketing campaign, which will include flyers, free review copies, online publications at our website and in social networks, and presentations at relevant conferences. We also make active use of digital representation, and will happily offer the option of uploading the texts to our open access platform in order to increase their visibility.
To submit a proposal, please send a short description of your project (up to 1000 words) to Kate Yanduganova at firstname.lastname@example.org. You are also welcome to visit our webpage to discover more series in various branches of Slavic and Jewish studies that are currently open for proposals.
SHERA-sponsored panel at ASEEES 2019 (Deadline February 1, 2019)
The SHERA Board invites proposals for the Society’s sponsored panel at the 2019 ASEEES Annual Conference. The conference will be held in San Francisco from November 23 to 26, 2019 and the theme is “Belief.” More information on the convention theme can be found here. As an affiliated society, SHERA may submit one sponsored panel. This session has guaranteed acceptance from ASEEES and will be identified as an Affiliated Society session in all ASEEES conference schedules (printed, online, and in the conference app).
Proposed panels must focus on issues of art, architecture, visual culture, or any of the fields concerning SHERA as a Society.
All members of the proposed panel must be members of ASEEES and SHERA in good standing and must register for the conference. Please submit:
- Title and a brief description of the panel (no more than 250 words)
- Names of all panel members, including chair and discussants, and a brief CV (no more than two pages) for each
- Brief descriptions of each paper (no more than 250 words)
Proposals should be sent to email@example.com with the subject heading “SHERA-sponsored panel at ASEEES 2019.”
The deadline for submission of panels to ASEEES is February 15, 2019. Therefore, applications must be sent to the SHERA Board by February 1, 2019 for notification on February 10, 2019.
ArtsLink Back Apartment Residencies for Artists and Curators in St. Petersburg, Russia
The ArtsLink Back Apartment Residency program provides opportunities for international artists and curators to conduct research, create new work, collaborate with the local arts community, and create special projects in St. Petersburg, Russia. Each residency is designed to enable visiting artists and curators to learn about the Russian arts community, develop their own work, and share information about their work and other cultures with local audiences.
CEC ArtsLink currently funds residencies for artists and curators from the United States. CEC ArtsLink provides international travel, visa support and insurance if needed, accommodation, and per diem. Artists from other countries are welcome to apply, but need to seek financial support to cover their expenses. CEC ArtsLink will provide free accommodation in the residency space.
For more information, please contact Residency Coordinator Liza Matveeva at Lmatveeva@cecartslink.org.
SHERA Graduate Student / Independent Scholar Travel Grant for participation in CAA 2019
Thanks to a generous donation from an anonymous donor, the Society is pleased to announce the SHERA Graduate Student / Independent Scholar Travel Grant to defray travel costs through the awarding of up to $1,000 for local travel and up to $1,500 for international travel to one member presenting a paper at the CAA Annual Conference or the ASEEES Annual Convention. The grant is given for five consecutive years (2017-2021), alternating between the CAA conferences and the ASEEES conventions, beginning with CAA 2017 in New York City. The alternating order of the subsequent grants is as follows: CAA 2017, ASEEES 2018, CAA 2019, ASEEES 2020, CAA 2021.
Applications will be evaluated based on the academic merit of the paper topic and financial need. SHERA is especially committed to subsidizing a graduate student or independent scholar who is attending the conference for the first time and presenting a paper, and who has no local institutional resources for travel support. Eligible independent scholars are those SHERA members who have been awarded the Ph.D. within the previous five years. For the CAA 2019 grant, applications are limited to those who have received the Ph.D. no earlier than 2013. Applicants must be SHERA members in good standing and must submit:
- the title and a brief description of their paper (no more than 250 words);
- a brief CV (no more than two pages);
- the names of the chair(s) and the title of the panel in which the applicant is participating;
- and, a brief statement demonstrating need.
For more information on membership or to become a member, see http://shera-art.org/membership/join-shera.php Within two months after the conference, the recipient is required to submit to the SHERA Board a brief report outlining how participation in the conference furthered the development of their research. If the recipient has to withdraw from the conference for any reason, all funds must be returned to SHERA no later than the opening day of the conference. Applications are due December 9 for notification on December 21. All application materials should be sent to firstname.lastname@example.org.
The Society of Historians of Eastern European, Eurasian, and Russian Art and Architecture (SHERA) is pleased to announce the second annual call for submissions for the SHERA Emerging Scholar Prize. The award aims to recognize and encourage original and innovative scholarship in the field of East European, Eurasian, and Russian art and architectural history. The winner will be announced at the Society’s annual meeting at ASEEES, scheduled for Friday, December 7, 2018.
Applicants must have published an English-language article in a scholarly print or online journal, or museum print or online publication within the preceding twelve-month period. For the 2018 prize, articles published between September 30, 2017 and September 30, 2018 are eligible. Additionally, applicants are required to have received his or her PhD within the last 5 years (2013 or thereafter for the 2018 prize) and be a member of SHERA in good standing at the time that the application is submitted. The winner will be awarded $500 and republication (where copyright allows) or citation of the article on H-SHERA.
To apply, please email a CV including contact information (email, mailing address, and telephone) and a copy of the English-language article with header/colophon of the journal or catalogue together with a brief abstract to email@example.com no later than October 22, 2018.
To join or renew membership in the Society of Historians of East European, Eurasian, and Russian Art and Architecture (SHERA), please visit http://shera-art.org/membership/join-shera.php.
Last year’s awardee was Prof. Christina E. Crawford of Emory University for her essay “From Tractors to Territory: Socialist Urbanization through Standardization.”
Society of Historians of Eastern European, Eurasian and Russian Art and Architecture invites applications for a SHERA Travel Grant to the upcoming ASEEES 50th Annual Convention, Boston MA, December 6-9, 2018.
GRANT AMOUNT: $1000 USD for travel from North America and $1,500 for travel from overseas (another continent)
All applicants must be:
- A student working at either the master’s or doctoral level with a thesis or dissertation topic related to Eastern European, Eurasian and/or Russian art and/or Architecture;
- Presenting a paper at a panel at this year’s ASEEES Conference (chairs, discussants, and any other type of participants are not eligible to apply)
- A member of SHERA at the time of application;
- Live outside the conference city;
- Have not been recipients of this grant in the past.
DEADLINE: August 15, 2018
Notifications will be sent by September 15, 2018
APPLICATIONS must be emailed to:
SHERA Art and Architecture
as well as Karen Kettering
• Complete with contact information, paper title, and abstract,
• Brief CV, listing relevant grants, publications, and talks.
The grant will be disbursed at SHERA’s Business Meeting at the ASEEES conference by Vice President/President Elect Karen Kettering.
The program “The Art and Science of Museums” is hosted by the Hermitage Educational Center in St. Petersburg, Russia.
Program Dates: June 17 - July 7, 2018 Application Deadline: March 1, 2018 Cost: $3,995 Includes: Tuition, dormitory accommodation, insurance, Russian visa, airport transfers, transcript of studies.
Russia’s rich cultural heritage is complimented by a unique emphasis that Russians place on history and education. This has helped Russia produce one of the world’s most extensive museum systems, one well-known not only for impressive collections but also thematic versatility, multiplicity of display modes, and sheer number of institutions. With private and public support, many of Russia’s museums are being modernized and new museums are being established. Russians have also supported this as some of the world’s most avid museum enthusiasts.
The Art and Science of Museums seeks to understand the Russian museum phenomenon and covers wide subject matter. Topics include: the history of collecting, the “museumification” of historic and cultural sites, museum operations (e.g. storage facilities, restoration labs, exhibition curation, education, and development), integration of technology and interactivity, and museum educational work.
The Art and Science of Museums is for students looking to understand how cultural and historical heritage can be best preserved and transmitted. Over an intensive three weeks in beautiful St. Petersburg, Russia, we will take a behind-the-scenes look at the Hermitage Museum, and explore a plethora of others including educational museums at schools of higher learning, scientific museums, museums of ethnography, memorial apartment museums, literary museums, political history museums, and more.
For more information and how to apply, please visit: http://www.sras.org/study_art_museums_russia
April 1 - December 31, 2018
The ArtsLink Back Apartment Residency program provides opportunities for international artists and curators to conduct research, create new work, collaborate with the local arts community, and create special projects in St. Petersburg, Russia. Each month residency is individually designed to enable visiting artists and curators to learn about the Russian arts community, develop their own work, and share information about their work and other cultures with local audiences.
The ArtsLink Back Apartment invites artists and curators interested in learning about contemporary art in Russia and building relationships with the local arts community. Though preference is given to artists and curators working in the fields of socially engaged art and public art, artists working in other fields are also welcome to apply.
CEC ArtsLink currently funds residencies by artists and curators from the United States. CEC ArtsLink will provide international travel, visa support (if needed), accommodation, and per diem. Artists from other countries are welcome to apply, but will need to seek financial support to cover their expenses. CEC ArtsLink will provide lodging at the residency space.
Interested artists and curators can apply by completing the on-line application form. Applications will be available online from October 23 and accepted until December 15, 2017 (for residencies between April 1 and December 31, 2018, the residency is closed in August).
Duration of the Residency for artists is 1 month, and for curators is 7-10 days. Back Apartment Residency Awards will be announced by February 1, 2018.
The CEC ArtsLink Back Apartment Residency program is funded by the Kettering Family Philanthropies and Trust for Mutual Understanding