The CAA-Getty International Program, generously supported by the Getty Foundation, provides funding to between fifteen and twenty art historians, museum curators, and artists who teach art history to attend CAA’s Annual Conferences. The goal of the project is to increase international participation in CAA, to diversify the association’s membership, and to foster collaborations between North American art historians, artists, and curators and their international colleagues.
Since it began in 2012, the program has brought ninety scholars to the conferences, from forty-one countries located in Central and Eastern Europe, Russia, Asia, Southeast Asia, Africa, the Caribbean, and South America. Each year, a preconference colloquium on international topics in art history inaugurates the week, kicking off four days of conference sessions, meetings with new colleagues, and visits to museums and galleries. Subsequent to these events, the program has generated many scholarly collaborations, including publications, conferences, and exhibitions.
In 2017, CAA organized a reunion to celebrate five successful years of the CAA-Getty International Program. Twenty alumni were selected to present papers at the Annual Conference in New York, held February 15-18, 2017. Organized into four sessions about international topics in art history, these Global Conversations were chaired by distinguished scholars from the United States and featured presentations by the CAA-Getty alumni. The papers from these sessions are now archived on the CAA website.
ABOUT THE 2018 GRANT
The 2018 CAA-Getty International Program will support fifteen art historians, museum curators, and artists who teach art history to attend the 106th Annual Conference, taking place in Los Angeles from February 21–24, 2018. The grant covers travel expenses, hotel accommodations for seven nights, per diems, conference registrations, and one-year CAA memberships. The program will include a one-day preconference colloquium on international issues in art history, to be held at the Getty Center on February 14, at which grant recipients will present and discuss their common professional interests and issues. Attendance at the preconference is limited and by invitation only. This year the grant also will fund five alumni from the CAA-Getty International Program to participate in the preconference colloquium and speak at a session during the conference. As they have in previous years, representatives from CAA’s membership will host program participants during the conference week.
ARE YOU ELIGIBLE?
Applicants must be practicing art historians who teach at a university or work as a curator in a museum, or artists who teach art history. They must have a good working knowledge of English and be available to participate in CAA events from February 21–24, 2018. Only professionals who have not attended a CAA conference previously, and who are from countries underrepresented in CAA’s membership are eligible to apply. The grant excludes scholars from Western Europe and Australia, whose countries are well represented in CAA. It further excludes scholars who have received funds from American foundations or research institutes to participate in conferences or residencies in the United States. Applicants do not need to be CAA members. This grant program is not open to graduate students or to those participating in the 2018 conference as chairs, speakers, or discussants.
HOW TO APPLY
Please review the application specifications and complete the application form. If you have questions about the process or are unsure of your eligibility, please email Janet Landay, project director of the CAA-Getty International Program.
Applications should include:
A completed application form A two-page version of the applicant’s CV A letter of recommendation from the chair, dean, or director of the applicant’s school, department, or museum Please send all application materials as Word or PDF files to Janet Landay no later than Monday, August 21, 2017. CAA will notify applicants by Monday, October 2, 2017.
2017 Art Film Festival
Ida K. Lang Recital Hall at Hunter College
695 Park Ave, New York, NY 10065
Sunday, March 26, 2017 | 2:00 PM – 9:00 PM
Russian American Cultural Center, in collaboration with the Russian and Slavic Studies Program, Hunter College, CUNY is pleased to announce:
In the spirit of the Centennial of the Suffragist Movement in the U.S., the Russian Revolutions, and the historical Balfour Declaration, the Festival’s program explores the turmoil of the 20th century and is dedicated to women’s role in society, history and art.
2:00 PM | Russian Avant-garde - A century on Revolution. New Art for a New World by Margy Kinmonth (USA Premiere)
UK 2016 | 85 min | Feature Documentary | English | Foxtrot Films
Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators, and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky, Malevich and others – pioneers who flourished in response to the Utopian challenge of building a New Art for a New World, only to be broken by implacable authority after 15 short years. Director MargyKinmonth, a creator of highly acclaimed documentary Hermitage Revealed, says: “I was inspired, as an artist, to discover how many of the descendants of Russian Avant-Garde artists are themselves working as artists today. Access to their intensely moving stories brings tolife this extraordinary period of artistic innovation, which continues to exert such a powerful legacy a hundred years on.”
Q&A with Regina Khidekel, Festival’s Curator
3:45 PM | Miss Bluwstein | Biography of Hebrew poet, known simply as Rachel the Poetess, by Sivan Arbel (USA Premiere)
Israel 2015 | 55 min | Documentary | Hebrew with English subtitles
The Bank of Israel recently announced that two Israeli banknotes, which are part of a new series highlighting renowned 20th century Israeli poets whose life and work parallel the birth of the State of Israel, will be dedicated to two women: Rachel Bluwstein and Leah Goldberg. Rachel Bluwstein (1890 – 1931), the matriarch of modern Hebrew poetry, will grace the new oft-used 20-Shekel bill that includes vistas of her beloved Sea of Galilee shoreline, palm trees, and verses from her signature poem “Kinneret”. The documentary marks the 125th birthday of Rachel, strengthens the image of the first Hebrew poet, the immigrant from Russia, who managed to express the emotional life of an entire generation in a language which lives and breathes to this day. Dana Olmert, Anat Weisman, Efrat Mishori, Muki Tsur, Uri Milstein, Yehudit Ravitz, Karni Postel and others, speak, and sing along with animations and previously unknown letters by Rachel re-paint her extraordinary character.
Q&A with Eran Polishuk, Director of Film & Media, Consulate General of Israel in New York
5:00 PM | The Babushkas of Chernobyl: A story of three unlikely heroines in the most toxic place on earth by Holly Morris
USA 2015 | 70 min | Documentary | Russian, Ukrainian with English subtitles
In the radioactive Dead Zone surrounding Chernobyl’s reactor, a community of old women cling to their ancestral homeland. While their neighbors have long since fled and their husbands gradually died off, this sisterhood of women labors to cultivate land deemed uninhabitable. Ignoring government orders and health warnings, the Babushkas of Chernobyl continue to forge an existence in one of the most toxic environments on earth.
Q&A with Yasha Klots, Assistant Professor of Russian, Hunter College, CUNY
6:20 PM | Mirrors by Marina Migunova (USA Premiere)
Russia 2013 | 119 min | Feature film | Russian with English subtitles
A feature Mirrors is the first historical-biographical feature film that focuses on the tragic fate of the poet Marina Tsvetaeva, one of the greatest poets of the 20th century. The authors follow her in Russia, then in emigration in Prague and Paris, and then upon her return to Russia, where she committed suicide a few months after she came back.
Q&A with Regina Khidekel, Festival’s Curator
Tickets available through EventBrite | Hunter college students free of charge
Please note: photo ID is required for entry into the college. Please allow additional time for check.
Entrance on East 69th Street. Lang Hall is on the 4th Floor of the North Building, Room 424.
If you go through the Visitors Center - it is located on the South West corner of East 68th St. & Lexington Ave. Below is a map of Hunter College, the West Building is orange and the North Building is teal/blue: http://www.hunter.cuny.edu/abouthunter/maps/68th-street-main-campus
RACC’s programs and events are made possible in part by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and Cojeco.
Announcing the 2018-2019 Fulbright U.S. Scholar Competition: Awards in the Fine Arts
The 2018-19 Core Fulbright U.S. Scholar Program competition is now open. Opportunities are found in the newly redesigned Catalog of Awards. There are many awards in Fine Arts, including:
· South and Central Asia Regional Research: South and Central Asia Regional Research Program
· United Kingdom: Fulbright-University of Dundee (Art and Design)
· Egypt: Visual and Performing Arts
· Burkina Faso: All Disciplines
· Indonesia: All Disciplines
· Brazil: Postdoctoral Scholar Award in All Disciplines
· Austria: Fulbright-Q21/MuseumsQuartier Artist-in-Residence
Application Guidelines: including sample project statements
Review Criteria: to inform the various components of your application
Eligibility Requirements: to review program policies
Outreach Events: a schedule of conferences, workshops, and webinars
Applicants must be U.S. citizens and the current competition will close on August 1, 2017.
We are pleased to announce that the Inaugural Maya Semina Travel Grant has been awarded to Maria Lanko, a graduate student from the University of Aberdeen and a presenter at one of SHERA panels for emerging scholars.
Maria will present a paper entitled “Participation and Collectivity in Art of the Soviet and Post-Soviet Belarus, Moldova, and Ukraine since the 1970s” at the panel Emerging Scholars: Politics and Collective in East European and Russian Art, Part One, which will take place on Wednesday, February 15, from 10:30-12:00, West Ballroom, 3rd Floor, New York Hilton Midtown, in the framework of the 105th Annual College Art Association Conference.
We are also pleased to remind you that in the years to come one young scholar will be able to participate at a SHERA-sponsored session of CAA or ASEEES with the help of he Maya Semina Travel Grant.
Museum Studies in St. Petersburg, Russia, Summer 2017
Russia’s rich cultural heritage is complimented by a unique emphasis that Russians place on history and education. This has helped Russia produce one of the world’s most extensive museum systems, one well-known for not only for impressive collections but also thematic versatility, multiplicity of display modes, and sheer number of institutions. With private and public support, many of Russia’s museums are being modernized and new museums are being established. Russians have also supported this as some of the world’s most avid museum enthusiasts.
Art and Museums in Russia seeks to understand the Russian museum phenomenon and covers wide subject matter. Topics include: the history of collecting, the “museumification” of historic and cultural sites, museum operations (including storage facilities, restoration labs, exhibition curation, education, and development), integration of technology and interactivity, and museum educational work.
Art and Museums in Russia is for students looking to understand not only Russia’s cultural and historical heritage, but also how cultural and historical heritage can be best preserved and transmitted. Over an intensive three weeks in beautiful St. Petersburg, Russia, we will take a behind-the-scenes look at the Hermitage Museum, and explore a plethora of others including educational museums at schools of higher learning, scientific museums, museums of ethnography, memorial apartment museums, literary museums, political history museums, and more.
Apply here: http://www.sras.org/study_art_museums_russia
Program dates: June 18 - July 9, 2017
Application deadline: April 1, 2017
Cultural Fellowships in Russia
The Likhachev Foundation (St. Petersburg, Russia) and the Boris Yeltsin Presidential Center (Moscow, Russia), with support of the Committee on External Relations of St. Petersburg, announce a competition for 2-week cultural fellowships in Russia (St. Petersburg) from 15 to 28 May 2017 for foreign professionals in the field of arts and culture who work on projects related to Russian culture and history and aimed at a broad foreign audience. Airfare (economy class) and accommodation in St. Petersburg will be covered by the organizers.
Until February 15, 2017 the Likhachev Foundation will accept applications from professionals in the field of culture and arts from foreign countries who are currently working on creative projects related to Russian culture, arts, or history. Command of the Russian language is very helpful but not required.
We accept applications from artists, scholars, writers, managers of museums, theatres, and festivals.
Students are not eligible.
Working languages of the program are English and Russian.
The creative project could be a book (fiction or non-fiction), a museum exhibition project, a theatre production, a theatre or music festival, a film, a photo exhibition, etc. related to Russian culture or history. The creative project should ultimately take place in a country other than the Russian Federation, with the goal being to broaden the audiences’ perception of Russia. The two-week residency in Russia should serve as an important stage in the preparation and realization of the applicant’s cultural project.
The Likhachev Foundation will prepare individual programs for the Fellows according to their projects’ specifics, to help them achieve maximum results during their fellowships. These programs will include meetings with Russian colleagues, opportunities to work at St. Petersburg museums, libraries, archives, and other organizations.
The fellowships will be organized from 15 to 28 May 2017 in St. Petersburg (Russia).
Deadline for submitted applications is February 15, 2017.
All the recipients of the fellowships will be notified of the review panel decision by March 15, 2017.
List of fellows will be published on the website of the program by 20 March 2017.
Application should include:
CV (including information on Russian language skills, previous creative projects related to Russia, and previous visits to Russia).
Description of the creative project (up to 3 pages) a book (fiction or non-fiction), a museum exhibition project, a theatre production, a theatre or music festival, a film, a photo exhibition, etc. related to Russian culture or history. It should be clear from the project description why a residency in St. Petersburg is necessary for the applicant’s creative project and which cultural organizations in St. Petersburg the applicant would like to work with.
Please, email your application in Russian or English to the competition coordinator Mrs. Elena Vitenberg at firstname.lastname@example.org and email@example.com with subject line «application for the fellowship».
All the applicants will be notified about the receipt of their applications by e-mail.
If you haven’t received such confirmation within three days after submitting your application, please resubmit your application.
All the recipients of the fellowships will receive e-mail invitations by 15 March 2017.
List of fellows will be published on the website of the program by 20 March 2017.
The D. S. Likhachev International Charitable Foundation
http://cf.lfond.spb.ru/ The name of the Academician D. S. Likhachev (1906-1999) is symbolic for the 20th century Russian culture. A Russian intellectual, survivor of the Soviet Gulag, a great scientist and thinker, a popular figure, he managed to preserve under the totalitarian regime his integrity, honor, and fealty to Russia. In the 90s he became a moral gold standard for many Russians. During his late years D. S. Likhachev conceived the idea of a humanitarian charitable foundation. The idea was implemented after his death.
The D. S. Likhachev International Charitable Foundation was founded in St. Petersburg at the end of 2001. The mission for the Foundation had been stated by D. S. Likhachev himself as promotion of the Russian culture, education, humanities as well as affirmation of democratic and humanistic values in the society. The foundation supports both regional and international programs, awards grants, promotes seminars and conferences, publishes books, etc.
The Boris Yeltsin Presidential Center (Yeltsin Center)
http://www.yeltsin.ru/ The Boris Yeltsin Presidential Center is a new Russian noncommercial organization, directed at promoting the development of the Institute of Presidency in Russia. The mission of the Boris Yeltsin Presidential Center is to preserve, study, and present to the public the historical legacy of the first president of the Russian Federation. Presidential Center includes a museum, exhibition and discussion center, a branch of the Boris Yeltsin’s Presidential library and Center for information and education activities and expertise. The Yeltsin Center supports activities in the following areas: Education, Culture, Youth, International, Humanitarian Cooperation, Publishing, Literary Awards.
Committee on External Relations of Saint Petersburg
(http://www.kvs.spb.ru)[http://www.kvs.spb.ru] The executive authority - The City Administration is the superior executive body of St. Petersburg headed by the Governor of the city and other executive departments - the city committees and the administrative-territorial departments. The St. Petersburg Administration is formed of the Governor, the Government, The Governor’s Chancellery, the city committees and the administrative-territorial departments of the Administration subordinate to him. The Committee on External Relations is responsible for state policy of Saint Petersburg in external relations.
PhD Funding: Artistic Re-enactments of Performance Art as Vehicles of Cultural Transfer in Eastern Europe since 1960
Department of Film and Visual Culture, University of Aberdeen
Supervisor: Dr. Amy Bryzgel, Senior Lecturer in Film and Visual Culture, University of Aberdeen
Application Deadline: March 21, 2017
Applications are invited for PhD research topics that focus on artistic re-enactments of performances from across the former communist and socialist countries of Central, Eastern and South-Eastern Europe in recent artistic practice. There are numerous examples of artistic re-enactments across the region, providing scope for a range of dissertation topics. Projects can include comparative studies, for example, of the relevance of re-enactments in one local tradition versus that of another; or single-country studies of a number of re-enactments being staged in one context. Dissertations will address the following research questions: what are the various functions of artistic re-enactments of performances in Eastern Europe? How do these functions compare with current understandings of re-enactment in the West? How can re-enactments be used to access a lost or inaccessible history (such as performance art in Eastern Europe)? Also welcome are proposals that consider revisiting culturally relevant or historically significant places by artists or within the context of artistic re-enactments.
Selection will be made on the basis of academic merit. Individuals with a strong research background in the field of Eastern European contemporary art and/or performance art, from either an art history or visual culture background, are encouraged to apply. Applicants should have the necessary language skills needed to undertake the proposed research, and should consider funding sources for travel to conduct field research abroad if it is necessary to the proposed project.
The project is funded by a University of Aberdeen Elphinstone Scholarship, which covers the cost of tuition fees only, whether Home, EU or Overseas, and will be awarded through an open competition.
Interested applicants should contact Dr. Amy Bryzgel with a project proposal of no more than 2,000 words, including discussion of Aims and Objectives, Research Questions, Research Context, Methodology and Critical Approach.
Deadline for all applications: 21 March 2017
ANN: Maya Semina Travel Grant
A generous donation made in the name of Maya Semina will help defray travel costs for one graduate student presenting a paper at the CAA Annual Conference and the ASEEES Annual Convention. The grant will be given for five consecutive years, alternating between the CAA conferences and the ASEEES conventions, beginning with the upcoming CAA conference on February 15-18, 2017 in New York City. The alternating order of the subsequent grants will be as follows: ASEEES 2018, CAA 2019, ASEEES 2020, CAA 2021. The funds for the grant have been received for 2017 and 2018, and the funds have been promised for 2019-2021. Maya Semina is a Russian art historian, whose book about Filipp Maliavin was published by Moscow’s BooksMArt Press in 2014. Applications will be evaluated based on the academic merit of the paper topic and financial need. We are especially committed to subsidizing a graduate student who is attending the conference for the first time or who has no local institutional resources for travel support.
GRANT AMOUNT: Up to $1000 USD
All applicants must be:
A student working at either the master’s or doctoral level with a thesis or dissertation topic related to Eastern European, Eurasian and/or Russian art and/or Architecture;
Presenting a paper contributing to advancement in this field at a panel at a CAA Annual Conference (chairs, discussants, and any other type of participants are not eligible to apply) or ASEEES Annual Convention;
A member of SHERA at the time of application;
Live outside the conference city;
- Have not been recipients of this grant in the past.
DEADLINE: January 1, 2017 (Notifications will be sent by January 15, 2017)
All applicants must email the following to to SHERA.firstname.lastname@example.org.
• Complete application form (this has been sent to all SHERA members), which includes contact information, the e-mail address of the recommender; paper title, abstract, tentative budget, and statement of need;
• Two-page CV, listening relevant grants, publications, and talks;
• One (1) letter of reference from advisor or department chair, which includes confirmation that departmental and/or institutional conference travel funds are insufficient, sent by the recommender to SHERA.email@example.com.
We urge applicants to be practical in estimating their travel and lodging budget. We advise sharing a room with another graduate student at the conference hotel, if feasible. We ask the grantee mention the SHERA Maya Semina Travel Grant as a partial sponsor of their participation.
The grant will be disbursed upon presentation of receipts in the weeks following the conference.
ANN: 6th Winter School of the Graduate School of Culture Studies and Arts
New Natures, Entangled Cultures: Perspectives in Environmental Humanities
23 – 27 January 2017
For more information see the Winter School website
How do we imagine nature/culture? How do new environments emerge and how do we design them – deliberately or by chance? The 6th Winter School of the Estonian Graduate School of Culture Studies and Arts focuses on the notions of “nature” and “culture” as entangled phenomena. Environmental humanities make an effort to overcome the centuries old division between sciences and humanities by stressing that speaking about “nature” and the hybrid forms of naturecultures is of central importance for all disciplines within the humanities.
We invite doctoral and MA students to think beyond the comfortable binaries of nature and culture and to discuss topics like recycling and hybridity, (eco)nationalism and aesthetics, technology and landscape, corporeality and posthumanism, materiality and animality in order to understand the creative power of “nature” as a cultural metaphor and the intimate interconnectedness between environment and culture.
The programme of the Winter School consists of: 1) interdisciplinary lectures and discussions conducted by Estonian and guest lecturers; 2) student seminars and slams where graduate participants present and discuss their own research; 3) student workshops outside the customary classroom environment.
Plenary speakers: Dr. Harriet Hawkins (Royal Holloway, University of London)
Dr. Dolly Jørgensen (Luleå University of Technology)
Dr. Timothy LeCain (Montana State University)
Dr. Jamie Lorimer (University of Oxford)
Prof. Gregg Mitman (University of Wisconsin – Madison / Rachel Carson Center for Environment and Society)
Prof. David Moon (University of York)
Prof. Kate Rigby (Bath Spa University)
Dr. Bronislaw Szerszynski (Lancaster University)
School of Humanities, Tallinn University
Estonian Centre for Environmental History, Tallinn University
Prof. Ulrike Plath (Tallinn University / Estonian Academy of Sciences)
Prof. Marek Tamm (Tallinn University)
Doris Feldmann (Tallinn University)
Tiiu-Triinu Tamm (Tallinn University)
Funding opportunity: Dodge Assistantships at the Zimmerli Art Museum for Graduate Study in the Department of Art History, Rutgers University, New Brunswick NJ
Deadline: January 10, 2017
The Zimmerli Art Museum at Rutgers University offers Dodge Graduate Assistantships to doctoral candidates admitted to the Department of Art History who are committed to research on unofficial art of the former Soviet Union. Established in 2002 with a generous endowment from the Avenir Foundation in honor of Norton T. and Nancy Dodge, this assistantship program provides full tuition, fees, and health benefits, as well as an annual stipend for living expenses, to graduate students (known as Dodge Fellows). Travel funds for research and language study abroad, as well as for participation in conferences, are also available to Dodge Fellows by formal application.
Dodge Fellows who enter Rutgers without a master’s degree are eligible for five years of assistantship funding. During the course of the first three years, students are obliged to work 15 hours a week in the Zimmerli’s Russian and Soviet curatorial offices; the subsequent two years support dissertation research and writing without any work obligation. Those who enter with a master’s degree are awarded four years of funding, reflecting a shortened period of coursework required for the doctoral degree. Work at the Zimmerli Art Museum is supervised by Dr. Jane A. Sharp, Associate Professor of Art History and Research Curator for the Dodge Collection, and Dr Julia Tulovsky, Curator for Russian and Soviet Nonconformist Art, with the assistance of other museum staff. The fellows perform a variety of tasks such as curatorial assistance in exhibition and catalogue production as well as administration and collection management. During the third year Dodge Fellows are given the opportunity to curate their own exhibition from the Zimmerli’s Norton and Nancy Dodge Collection.
Please refer to this link for more information: http://arthistory.rutgers.edu
Application and Selection Process: Dodge Assistantships are awarded by the Department of Art History in consultation with the Zimmerli’s Director and staff to incoming graduate students.
For information about the Dodge Assistantships, contact Professor Jane Sharp
Deadline to apply is January 10, 2017